Sara Gold, a multidisciplinary artist whose work dances on the edges and in-between, blends nature, technology, and historical knowledge with immersive sound environments. Experimenting with new sensations and realms, from ultrasonic bat calls made audible to esoteric audio engineering techniques and harnessing sub-bass frequencies that are felt rather than heard, their practice is an exploration of sonic world-building filtered through a queer, non-binary and disabled lens.
We’re grateful to collaborate and produce on the shared, stolen, unceded, ancestral and traditional territories of Penelakut, Lamalcha, Hwlitsum and other Hul’qumi’num speaking peoples, as well as the ceded territories of Tsawwassen First Nation, on what is now known as Galiano Island, British Columbia. We recognize the complex impacts that hosting settlers and non-settlers has on the Indigenous land and peoples of this area, and we aim to be responsible and accountable for these impacts and our footprint—whether cultural, environmental or social.
We acknowledge the generous support of our partners and funders:
Active Passive Vol. 8 was curated by the A/PPS team of Amos Pencarrick Hertzman, Caitlin Pencarrick Hertzman, Paz Touchburn, and Nico Gonzlaes and our very special guest curator Reylinn.
Art Direction and Graphic Design by Slime Studio
